Veer Und Zaara
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Der indische Pilot Veer Pratap Singh rettet der jungen Pakistanerin Zaara das Leben. Sie verbringen daraufhin einen einzigen Tag miteinander, der sie einander näher bringt und ihre gemeinsamen Wurzeln erfahren lässt. Danach ist für Veer und Zaara. Veer und Zaara – Die Legende einer Liebe (Hindi, वीर-ज़ारा, Vīr-Zārā) ist ein Bollywood-Film, der in Indien und in Pakistan spielt und am Mit Veer & Zaara bietet Regielegende Yash Chopra Bollywood-Starkino in Vollendung. Der Film war im Kinojahr die mit Abstand erfolgreichste Produktion. Bei einem Hubschraubereinsatz in den Bergen Indiens rettet Veer (Shah Rukh Khan) der jungen Zaara (Preity Zinta) das Leben. Zaara hatte ihrer indischen. Der indische Pilot Veer Pratap Singh (Shah Rukh Khan) rettet der jungen Pakistanerin Zaara (Preity Zinta) das Leben. Sie verbringen daraufhin einen einzigen. Veer Pratap Singh (Shahrukh Khan) ist ein heldenhafter Pilot bei der Indischen Luftwaffe. Als es gilt, das Leben der pakistanischen Schönheit Zaara Hayat Khan . Feb 15, - gozdnica-hahnichen.eu - Kaufen Sie Veer & Zaara - Die Legende einer Liebe (1 DVD) günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert.
Veer Und Zaara Aktuell im Streaming:
Kritik Handlung. There it was only shown in Hindi but the content was easy to understand. Juni Aachen Diana Kino 1. Leave this field blank. Alle seine Filme sind super,doch der ist mega schön. Chennai Express. Wer sich dem Ungewohnten hingibt, wird gefangen in Farben, Lexy Roxx Shop und Geschichte. Eine Vorladung Zaaras lehnt Veer strikt Lady Bloodfight.It is a citizen Kane of India. Hats off to Yashji. I watched it twice before I was being able to make an opinion about it.
Though I do have some negatives about the movie First talking about the plus sides Amitabh Bachan was awesome Screenplay and script deserve high grade..
Rani's performance is A class and will surely win her some awards this year Hima Malini looked cool as well as did her part with perfection.
Choice of locations for Indian village life is remarkable. Though music on the whole is just about above average, a couple of scores in Bhangra beat are catchy.
And last but certainly not the least Shahrukh Khan once again walks through a role with utmost perfection. I don't know whether it was deliberate or incidental, but his casualness and under toned acting as a youth made his performance as a gray-haired guy more prominent.
Needless to see he was really skillful portraying a middle age prisoner. And now the minus side.. Well the only minus that I have with this movie is the projection of Pakistani society.
Every time Pakistan was shown in the film it never looked like Pakistan. The director seems quite unfamiliar with Pakistan, her society, her customs, her wedding rituals, her surroundings..
And this to me was a real big minus No politician in Pakistan contesting from Lahore wears shirwani in his house for sure.. No one in Lahore uses the Lakhnao Delhi style of adab for greetings.
Nor does the ladies of the class shown wear jewels like Kiron Kher. It looked more like Muslim Lucknow rather than Pakistan. And this highlights one more thing - "India and Pakistan are two different and distant societies who know very little about each other.
Pakistani society is different than the society of Indian muslims, it's more modern and has her own set of customs.
It has moved quite a lot from the pre partition commonalities between the two cultures. And this is where Yash jee got it all wrong.
I am not the biggest fan of Hindi movies, and i don't watch them ever, but i went to Canada for spring break, and my uncle had this movie, and i watched it.
I loved it more than any movie. I cried, and laughed. This the the best movie in the whole world. Zarra is beautiful, and i think she is very brave to go to an Indian man like that.
Veera is SO hot, even though he is like 45 or something, he is such a great actor, and i love him. I wish that Zarra and Veera would be a really couple, cause if they can make me cry with there love, thats a first.
They are so cute together, and they have to be together forever. The ending of the movie was the best, and i think that the lawyer, is really pretty.
I love her eyes. She maybe the first Pakistani lawyer, but she is the most generous, and hard working women i have actually seen in Pakistan.
The score, direction, story and acting are superb. I have taken friends, not attuned to Bollywood style films and they were as thrilled as I was.
The speech Shah Rukh Kahn gives in the courtroom at the end of the film which pleas for tolerance and understanding raises the entire movie to a rarified plane.
It would have been easy to end the story at the end of the trial but Yash Chopra and his writers enter an exalted level with this scene.
Please be warned that this moving film is a real tear-jerker! It is a shame that main stream American movie reviewers are ignoring the film which is apparently doing very well in England and Australia.
I could not find a review of this movie in any newspaper in Chicago on a recent trip. Even though I personally left a message for the reviewer of the Detroit Free Press, he chose to ignore the film entirely.
Perhaps the people promoting the movie and Indian films in general need to do some homework and try to get their movies reviewed.
It is a shame that many people who rely on critics reviews before seeing a film will not even know about this fabulous movie. I watched the movie it is really fantastic love story of two nations,i am thankful to the Producer,Director and Writer that they made such kind of movie Yash chopra g,is requested to make some more movies like this to save the mankind of both countries.
If I were to judge each factor of VeerZaara separately, I would not even judge it a mediocre movie, I would call it awful, cheesy, cloying, utterly unrealistic.
However, I saw the whole movie and enjoyed it far more than I thought I would. Not being a hypocrite, I am giving it the score it deserves for its emotion and entertainment.
This movie, almost as the epitome of Bollywood, is not one bit ashamed of having star-crossed lovers, true and eternal love and devotion, selfless sacrifice in the name of love, justice, idealistic religious syncretism, and mutually inclusive patriotism and respect for the neighboring nation.
Combined with that of course you have songs sung by eminent playback singers, beautiful cinematography and attractive actors.
Acting wise, initially SRK's totally fake prisoner-getup really annoyed me, with its fake powdered hair and totally unconvincing geriatric quiver.
The obviousness of the dialogue when he first starts speaking also bored me. Then there's Preity's silly but cute little song. But these things really opened the way up for the movie, let the audience know, 'Hey, this isn't like your world, it's totally different.
Abandon disbelief completely , all ye that enter. But there is still something unexpected here. Before the resolve we see the aftermath of a sacrifice from both parties.
You see that even though they are reunited, they have definitely lost a lot. SRK did a good job here in carrying through his prison mannerisms and not losing them at Zaara's sight.
They are reunited but a sense of loss is maintained. A somewhat bittersweet trace in a very sweet movie. Saheli 16 November This is one of the best Lovestories I've ever seen.
I've just watched the movie for the 4th time and i'm still fascinated - even more every time- by the plot, the wonderful actors, the beautiful landscape even though I think, some of the places have been filmed somewhere else - Tyrol, Switzerland???
Even my 8 year old granddaughter found Veer-Zaara "very moving". I'm just listening to the Soundtrack and I love it!!!!! I've seen many of these Bollywodfilms but in my opinion this one is really great stuff and Shahrukh Khan Veer Pratap Singh follows me in my dreams - at the age of 67 - and I'm not ashamed of my tears!
Veer Zaara- the most awaited movie of the year- finally released to a packed theater here in NJ. The verdict- not even nearly as good as the collections it would have made in just one day.
With the reins of direction in the veteran Yash Chopra's hands, one expects the cast to look their best, act their best and most of all the movie to be a wholesome entertainer.
Not to say that the movie did not have any positives, but they were far less than the negatives. Starting with the flaws, the script was extremely incoherent and un realistic, not to mention some apparent inconsistencies in the direction.
To start with,a major question that is left for the viewer to answerer himself is how did Rani know about SRKs real name i. It had been a good 20 years and everyone knew him by his other name.
So was Rani Psychic or did Bhagwan or Allah sent a commandment on her. If this question cant be answered, the logic given behind SRK's opening his stuttering mouth to reveal the most boring love story becomes meaningless as if it was meaningful otherwise and the story ends right in the beginning.
There was no explanation given whatsoever and the viewer is left in a labyrinth to find his way back home.
Next comes the unrealistic portrayal of the Lahori culture and the Muslim community. I being from Lahore and from a Muslim country have never seen people wearing the Iqbal cap and talking in the way shown.
Neither have I seen them go to the darbars so often. Also I can never imagine a Muslim girl allowing any guy to lift her up and cross a bridge specially a girl who has been brought up under so many restrictions, as shown in the movie , let alone run to India for whatever reason.
Rani telling SRK that she knows how much he loves Zaara made me laugh out loud. When is Indian cinema going to mature?
She knows him for 1 day and she knows how much he loves Zaara? Please stop the cheesiness. Again Rani giving a lecture on the number, assigned to SRK, to the hawaldaar provided another amusement park ride.
The reason given by SRK for telling Rani the story was another funny point. There are so many more but the limit on words restricts me.
Coming to the looks and acting,SRK looked and acted his career worst. Priety looked very ordinary and her acting was just ordinary. Rani looked not only bad but also had the worst dialogs to deliver.
I have never seen a 50 year old guy which I am assuming SRK is shown to be shivering or behaving in the fashion he was in the movie. Another of his overacting proofs.
This overrated actor cannot act for nuts. Last but not the least the positives: Finally we come across a message of peace and love for both the countries.
Some scenes where the message was being delivered were quite effective. The song "Aisa des hai mera" was well executed.
Divya Dutta's acting was undoubtedly the best of the cast. Amitabh and Hema provided the truly entertaining part of the movie. As for Yash Chopra, it is advised not to be impressed with his son, Aditya Chopra or his son's best friend Karan Johar's style of movie making.
He should be the one driving them, not being driven by them because all they can offer is cheesiness and over-dramatic situations. Also stop making movies for SRK.
Cast some actor who can make the movie stand on his shoulders, without relying on the other cast as is always the case with SRK. The storytelling is further marred with Javed Akhtar's lyrical buffoonery, and Yash Chopra's tact for stretching defining moments of the story remains.
Other than the story of two fanatically devoted lovers, "Veer Zaara" is a reminiscent of the 50's era go better watch Mughl-e-Azam, in color.
Why is Pakistan suddenly becoming the flavour of the season. Shah Rukh probably goes through these roles like a zombie now- he's done so many! If you want to even more of what you've seen him do over and over and over and over, this is the movie for you.
Rani Mukherjee is neither powerful nor convincing in her role of a lawyer and has trouble voicing chaste Urdu. Archived from the original on 27 September Temple University Press.
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Lata Mangeshkar, Jagjit Singh. Best Film. Yash Chopra , Aditya Chopra. Each title is ranked according to its share of pageviews among the items displayed.
Pageviews for each item are divided by the aggregate number of pageviews generated by the items displayed. Travel back in time to check out the early roles of some of Hollywood's heavy hitters.
Plus, see what some of your favorite '90s stars look like now. See the full gallery. See what's trending now. In the line of duty he comes across a stranded Zaara Preity Zinta - a girl from Pakistan who has come to India to fulfill her surrogate mothers dying wish.
Veer saves her life and his life is never the same again. Twenty two years later Saamia Siddiqui Rani Mukerji , a Pakistani human rights lawyer on her first case, finds herself face to face with an ageing Veer Pratap Singh.
He has languished in a Pakistan jail cell for 22 years and has not spoken to anyone all these years. And no one knows why. Her mission is to discover the truth about Veer and see to it that justice is served.
A love that is divine, a love that is whole-hearted, a love that is completely consuming, a love that grows with separation and deepens with sacrifice.
A love that is an inspiration - and will remain a legend forever. Written by Official Source. It is the first Bollywood musical I have ever seen, and as such, I lack the critical perspective necessary to make an informed judgement about it.
However, I did rate "Veer-Zaara" seven out of ten, because I found it consistently entertaining, and often entirely delightful. I was never once bored - in spite of its three hour plus running time.
In order to appreciate any form of musical drama, it's necessary to "surrender" to theatrical artifice, and seen in that light, "Veer-Zaara" is no more illogical or "unrealistic" than a classic Vincent Minnelli Musical or a "serious" Verdi opera.
I was also very intrigued at the way that the plot of the film crossed several genres and combined a number of classic story-telling archetypes: "the star-crossed lovers," "the village pastorale," "the saga of family honor," "the courtroom drama," etc.
Watching this film I think I learned a lot about modern Indian culture. Although at times the sentimentality in "Veer-Zaara" is so gushing that it enters into the realm of camp, there is also much substance in the film which is entirely admirable and worthy of esteem: the honor paid to parents and elders, the independence and spirit shown by strong and intelligent women, the respect given to Law and Justice, and perhaps most importantly, the possibility of peace and reconciliation between two peoples and two nations who have been engaged in a long, bitter, and fruitless quarrel.
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Main Yahaan Hoon - Full Song - Veer-Zaara - Shah Rukh Khan, Preity Zinta - Madan Mohan, Udit Narayan Shahrukh Khan natürlich auch! Mit viel Geduld und Einsatz Hellboy – Schwert Der Stürme Menschlichkeit und Gerechtigkeit schafft Miraculous Deutsch Ganze Folgen die Anwältin, den völlig verwahrlosten und schweigsamen Inder zum Sprechen zu bringen, damit er seine unglaubliche Geschichte erzählt. JavaScript muss aktiviert sein, um dieses Formular zu verwenden. Paul Hagen Osnabrück Lagerhalle ab Sie erzählt ihnen von Veers Schicksal und erfährt, wie Zaaras Leben während dieser Zeit verlaufen ist. Rani und Preity spielen auch sehr gut in diesem Film. Paheli - Die Schöne und der Geist. Ich will den Film unbedingt sehen, aber Hamburg oder so Super Showdown 2019 ein bisschen weit : Wenn es die einzige Chance ist, warte ich auch gerne bis August, Drama Filme 2013 etwas mehr Info wäre toll!!!! In Pakistan hat es Veer Pratap Singh nie gegeben. Madan Mohan. Französischen Filmtage Tübingen Stuttgart noch München, Köln und Hamburg gezeit wird. Veer und Zaara — Die Legende einer Liebe. Während eines kurzen Augenblicks des Alleinseins gesteht Veer Zaara doch noch seine Liebe und es wird ein trauriger Abschied. Sie verbringen daraufhin einen einzigen Rurouni Kenshin Movie miteinander, der sie einander näher bringt und ihre gemeinsamen Wurzeln Bourne Reihe lässt. Wer sich dem Ungewohnten hingibt, For Sale Haus Mit Pool Und Leiche gefangen in Farben, Musik und Geschichte. gozdnica-hahnichen.eu: Veer & Zaara - Die Legende einer Liebe: Movies & TV. Veer & Zaara - Die Legende einer Liebe (2 DVDs). Epische Bollywood-Romanze um die Liebe eines indischen Piloten und einer jungen Pakistanerin.
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Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. Veer-Zaara is a saga of love, separation, courage and sacrifice.
A love story that is an inspiration and will remain a legend forever. Director: Yash Chopra. Watch on Prime Video included with Prime. Added to Watchlist.
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Veer Pratap Singh Preity Zinta Zaara Hayaat Khan Rani Mukerji Yash Chopra's Veer-Zaara is a film about humanity, devotion, sacrifice, and the power of love.
It is a visually stunning and emotionally touching picture about star-crossed lovers who meet once and are tied forever.
Yash Chopra artistically combines realism with greatly unrestrained emotion and some overdone sentimentality.
Although the love story itself, the separation and everything else is very typical, Chopra creates an entirely different film in the way it portrays the respect the lovers have for each other, the honour they pay to parents and elders, and their genuine willingness to sacrifice themselves for each other.
It is a cross-border love story between an Indian and a Pakistani, yet their nationality is not what prevents them from being together.
That's what really makes sense in this film. It flows very well through the stunning views of Indian and Pakistani fields and groves, and colourfully shows the bright sides of each country.
The film does look a bit dated, but then it does not have a defined period of historical time, which makes it an all-time saga.
The film also addresses women's empowerment through Rani Mukherjee's role of a Pakistani lawyer who tries to overcome society.
There are many surprising and touching moments in the film. The love story is portrayed grandiosely, with larger-than-life orchestral music of heavy violins and piano.
The movie soundtrack is perhaps the most beautiful soundtrack in recent years, and the fact that it was actually composed many years ago contributes to the epic mood of the film.
Shahrukh Khan and Preity Zinta are great choices for the film. They resuscitate their characters with restraint and dignity and have a credible chemistry despite not having much physical interaction.
Khan is the main soul of the film and he is believable in everything his character goes through. Zinta is beautiful and compelling as the intelligent and headstrong Zaara, and looks great in traditional outfits.
Rani Mukhejee makes a great impact with her relatively minor but pivotal role of the tenacious, level-headed Saammiya.
She is natural and impressive and leaves the film as a winner. Veer-Zaara, though a completely entertaining epic romance, is not the greatest film you'll see and it often goes over-the-top in its emotions.
It is far from being flawless and has its share of loopholes where script is concerned. Having said that, it just doesn't matter here. This film is far ahead of anything it can be blamed for.
It is about the main values a person should cherish in life: humanity, respect and love, and it conveys this message very well.
It is one of those films which become classics instantly, and I recommend it to anyone, whoever and wherever he is. Reviewed by: Vijay Venkataramanan Reviewer's Rating: 9 out of 10 It's Diwali - the time for sweets, new clothes, fireworks, and as is customary every year in India, a star-studded, feel-good blockbuster.
Yash Chopra's reclamation of the director's throne after seven long years is a simple return to the classical traditions of mainstream Indian film-making.
The flair and sensitivity for romance is intact along with the passion for deep-rooted cultural and traditional mis-en-scene.
However, neither is "Veer Zaara" a classic, nor is it even remotely comparable to Chopra's earlier masterpieces such as "Silsila", "Kaala Pathar", "Kabhie Kabhie", and "Lamhe".
Yet, it is an ideal Diwali gift, exquisitely packaged, filled to the brim with sentiments and emotions, presented with only the best of intentions.
Saamiya Siddiqui Rani Mukherjee , a local lawyer representing the Human Rights Commission undertakes the challenge of fighting for Veer so he can return to India.
As Saamiya tries to unearth the hidden truth behind why and how Veer ended up in this situation, we are taken through a trip down memory lane as Veer recollects the days when he found and lost the love of his life, a Pakistani girl called Zaara Priety Zinta.
What "Veer Zaara" lacks in terms of an innovative plot structure, it more than makes up for with Aditya Chopra's sometimes flawed, but sensitive writing.
The supporting characters are extremely well fleshed out, and his dialogs witty and subtle. The storytelling is further enhanced with Javed Akhtar's lyrical wizardry, and Yash Chopra's tact for stretching defining moments of the story into musical interludes continues to fascinate.
Akhtar's and Mr. Chopra's brilliance remains etched in your memory. The film's grand-scale packaging is embellished by Sharmishta Roy's artistic, and exquisitely detailed production design, with each set being highly reflective of the characters that it holds in.
Actors including the great Amitabh Bachchan who makes a stunning special appearance in this film with Hema Malini have always elevated their performances to higher levels under Yash Chopra's baton.
Rani Mukherjee follows in the same footsteps, playing the rookie lawyer with an admirable juxtaposition of nervousness and ferocity.
While Preity Zinta and Shahrukh Khan too perform well in their respective roles, at no point does one feel that these two talented actors are ever challenged with roles such as these.
Having played the loverboy so many times in the past, Veer Pratap Singh is a cakewalk for the Khan. The lead pair's chemistry from their younger days all the way to the days of their fifties is highly appreciable however.
The supporting cast comprising of Divya Dutta, Kirron Kher, Boman Irani, and Manoj Bajpai make full use of their well-defined characters to enact high-caliber performances.
Other than the story of two fanatically devoted lovers, "Veer Zaara" is a progressive film for the Indian Film Industry because it makes an effort to break stereotypes with respect to Indo-Pak relations.
It is a welcome change from the mindless Pak-bashing fare that we are routinely subjected to. Sensitive approaches like this first of all would help improve cultural ties, considering Hindi movies do comprise of a large portion of India's unofficial exports to Pakistan.
Equally important is the economic factor because a culturally sensitive film like "Veer Zaara" is bound to officially open up a potentially huge, untapped, cinema-going audience across the border.
It is the first Bollywood musical I have ever seen, and as such, I lack the critical perspective necessary to make an informed judgement about it.
However, I did rate "Veer-Zaara" seven out of ten, because I found it consistently entertaining, and often entirely delightful. I was never once bored - in spite of its three hour plus running time.
In order to appreciate any form of musical drama, it's necessary to "surrender" to theatrical artifice, and seen in that light, "Veer-Zaara" is no more illogical or "unrealistic" than a classic Vincent Minnelli Musical or a "serious" Verdi opera.
I was also very intrigued at the way that the plot of the film crossed several genres and combined a number of classic story-telling archetypes: "the star-crossed lovers," "the village pastorale," "the saga of family honor," "the courtroom drama," etc.
Watching this film I think I learned a lot about modern Indian culture. Although at times the sentimentality in "Veer-Zaara" is so gushing that it enters into the realm of camp, there is also much substance in the film which is entirely admirable and worthy of esteem: the honor paid to parents and elders, the independence and spirit shown by strong and intelligent women, the respect given to Law and Justice, and perhaps most importantly, the possibility of peace and reconciliation between two peoples and two nations who have been engaged in a long, bitter, and fruitless quarrel.
It was a really spectacular movie! I think the cinematography, music, colour, acting and 'second to none' story were instrumental in it being, I am sure, one of the best of its time.
I must have this on DVD to add to my aspiring collection of movies. I couldn't believe that the movie did not waste time, with the usual 'Tun Tun' characters, which I must say, are displayed really well sometimes.
The movie progressed smoothly, from one Scene to the next backed by superb and riveting music. I saw the movie this weekend couldn't go before due to Diwali and Eid-ul-Fitr celebrations and will return to the cinema this coming weekend to view it yet again!
I think the movie had a 'Dilwale The movie addressed some of the more delicate issues of this conflict and must say that it was done in the most professional way!
Great movie I give it five 5 stars! AishFan 22 November The Chopras have proved once again that you can always count on them to provide the highest quality cinema.
I'd first like to applaud Shahrukh for outdoing himself once again by playing both a young, simple-natured squadron and an old, tormented prisoner so convincingly.
His skillful subtleties and attention to each detail of his performance have undoubtedly turned him to the best actor I have ever seen.
I think he has even surpassed Amitabh. Even though Rani and Preity's roles didn't seem to demand too much from them, they gave a wonderful performance.
Even Manoj Bajpai did an excellent job. The story is fabulous. Where the traditional Bollywood film could take the same situations with different outcomes for each event to turn the film into the same familiar fare, Veer-Zaara makes turns it into an epic love story where Veer and Zaara's names can be added to the list of Devdas and Paro, Shah Jahaan and Mumtaaz, etc.
The main minus point of the film is its music. Warning: Don't listen to the music before watching the film or it will sound horrendous!
Tere Liye, however, is extremely beautiful and melodic. Unfortunately, the latter two are not ones that one can keep humming for several months.
Another minor yet negligible drawback is that this movie can't appeal as much to the youth as Yash Chopra's previous film, Dil to Pagal Hai.
An addicting soundtrack and a youthful appeal were two things that seemed to be missing, which are usually guaranteed in every Chopra extravaganza.
Nonetheless, Veer-Zaara is fantastic! Thank you Mr Chopra rizzobujjo 23 November I am one of those fussy people who watches selected films. Most films bore me because either they are a re-make old Indian or American or the story just does not grab me.
I went to see this film after a very long time at the cinema and within the first five minutes, I told me husband what I thought the story would be and I was so shocked to find that the films story was not what I had predicted.
I also hate films were the lovers have to die in the end as they did in "Qayamat Se Qayamat Tak , because I truly believe that true love can conquer all.
Yash Chopra has, as always, delivered an all-round entertainer. The songs were mesmerising; Madan Mohans' tunes were beautiful, Lata Mangeshkars voice was 'an out of this world' experience, Javed Akhtars' lyrics and Aditya Chopras' poem meant so much to those who understand them.
Photography was enchanting; such films make people like me who love India, love it even more. The acting was par excellence, Shahrukh Khan did not disappoint at all, Preity Zinta was the essence of beauty and innocence and Rani was good as well.
I would just like to say thank you to Mr Chopra for a wonderful experience. WinterMaiden 17 April That does not bother me at all--it is what I expect from Bollywood musicals of the grand, traditional type.
Better grand opera than fifth-rate-MTV cheeze. I also wasn't especially bothered by some of the implausibility of the plot: I did think SRK's Veer was a bit too doddering for a man who is theoretically only in his early fifties, 22 years in prison or not.
On the other hand, it didn't bother me that Saamiya knew his name. He had given his interrogators his name before he decided on silence, and presumably that name was in his files.
What some might consider a major, major flaw or at least deeply disappointing is the basic premise. After Veer sacrifices himself to save Zaara's honor, she throws her honor away.
What is Veer's sacrifice for, if she doesn't marry and have children, if her family is destroyed anyway? But--whether intentional or not--this is what makes the movie interesting to me, because the pointless sacrifice is mutual.
Henry story, "The Gift of the Magi," which focuses on a young married couple who are very much in love.
They are poor, and have only two possessions of value: she has her long, lovely hair and he has a beautiful pocket watch.
Each wishes to surprise the other with a Christmas present that will reflect the depth of their love for one another. So what do they do? She sells her lovely hair to buy him a chain for his watch, and he sells his watch to buy her an ornamental comb for her hair.
The mutual sacrifices cancel each other out, and are meant to ironically underline the over-the-top foolishness of their love for each other.
How much more pointless is it that Veer sacrifices 22 years of his life to save the honor of Zaara and her family, while Zaara sacrifices her honor and family in order to live Veer's life?
I think the pointlessness of the sacrifice that they cancel each other out is deliberate, though, because we see it through the eyes of Saamiya, who says, "What century do these people live in?
Are they human beings pretending to be gods or gods disguised as human beings? But what if he had said that Zaara's mother had sent for him, because she wanted to meet the man who had saved her daughter's life?
Ideally, the screenplay would have allowed for such a choice, and found a way to close the door on it. This was not a great flaw for me, though, because Veer is not behaving like an intelligent young man capable of outwitting his captors.
He has, after all, come to Pakistan in a state of mind where he is ready and willing, and even eager, to immolate himself on the altar of love.
The movie itself is beautifully filmed. There isn't much going on apart from the love story, but sometimes a grand over-the-top romance is worth watching.
Chopra was born in Lahore, Punjab present-day Pakistan and later moved with his family to Jalandhar when he was young. He travelled to Bombay in , when he was introduced to the film industry.
It is my tribute to the oneness of people on both sides of the border. While completing the film, Chopra and Aditya had a discussion about the film's title.
For them, love is the only religion. Shah Rukh Khan was cast in the lead role. Zaara's role as Khan's love interest was first offered to Kajol, upon her rejection, the role went to Zinta.
She also felt that it was time to move on from war-oriented films with Pakistan, saying, "I thought that was a great message to have in a film and I think what our governments can't do In addition to writing the story and screenplay, Aditya co-produced the film along with his father under the banner Yash Raj Films.
In October , Rediff. An environment that represented Punjab was created and Sikh dancers were brought in, whom, according to the report, look like peacocks due to their colorful turbans.
While filming for an action sequence with Khan, Zinta had a near-fatal experience when she was hanging from a harness for nearly six hours.
Zinta labeled it "one of the most humbling experiences of [her] life" and stated that it made her realize the difficulties male actors have to go through.
Veer-Zaara was filmed entirely in sync sound. Khan stated that although he did not have to dub lines for the film separately, he did dub a few dialogues for the film.
Most of the filming was done in secrecy and no official announcements were made. Daiya establishes that Veer's "Indian masculinity" is shown through his sacrifice of spending 22 years in jail.
Gopal feels that the film's dual time and use of old music was the reason for its appeal to masses and its commercial success.
Pandharipande authors of the book Bollywood and Globalization: Indian Popular Cinema, Nation, and Diaspora state that while Veer-Zaara manipulates the state's critique to make it appear "progressive" at first glance, Gadar does not.
Veer-Zaara ' s soundtrack features 11 songs with music based on old and untouched compositions by the late Madan Mohan , as revised by his son Sanjeev Kohli.
The lyrics were written by Javed Akhtar. You [Chopra] are like my brother. I feel I have gone back in the past". In a soundtrack review, Syed Firdaus Ashraf of Rediff.
While the first half of the album is instantly appealing the second half will slowly grow on you. It is the first Hindi film to premiere in such a large and luxe venue.
Veer-Zaara was well-received by critics, who praised the film's story, screenplay, dialogues, music, performances and sensitive portrayal of India-Pakistan relations.
Taran Adarsh of Bollywood Hungama gave it four stars out of five and comments, "There's romance, there's a strong dose of emotions, there're songs aplenty, there's drama But, most important, it has soul, which has been lacking in most movies of late".
Subhash K. Jha gave Veer-Zaara a positive review for Indo-Asian News Service , praising the performances of the leads as "old yet passionate, frail yet sublime" and writes, "The surge of love between two people belonging to entirely different cultures and lands is collected into a quaint and quivering collage of memory and melody.
He also praised the technical aspects and performances of the cast, writing the film "showcases one of the finest group of actors one will ever see on screen together".
Jitesh Pillai of The Times of India rates it three and a half stars out of five, crediting Aditya's writing and its execution.
He writes, "Yash Chopra's Veer Zaara may be woefully long and meandering. VZ is one from the heart. Preity's Zaara is both restrained and dignified.
This is her most nuanced performance to date. Veer-Zaara is for all seasons and every reason. Certain things like fabulous camera work, art direction, and sensuousness of the moods, are a given.
And you would overlook the cliches simply because there are such good performances, especially from Preity and Rani," while also appreciating that Khan "looks good and performs most creditably.
As of 18 March , Veer-Zaara has a "fresh" rating on review aggregator portal Rotten Tomatoes , with 91 percent approval based on 11 reviews, along with an average rating of 7.
Dwyer feels that the film represents the "much shared culture and history" of the Punjab. Anita Gates of New York Times writes that Veer Zaara "would be embraced as fabulously trashy" had it been an American film but credits the cultural impact, writing, "the cultural assumptions of Veer and Zaara add a welcome element of freshness for American audiences.
When Zaara's mother reminds her daughter that women always love fully, with heart and soul, she casually adds, "Men don't have the strength to love like that.
He further noted that unlike other Hindi films, it deserves a wider audience for portraying "the humanity in characters who represent 'the other'", done "in a way that's dramatic, funny, fun, silly, musical, stylish, romantic and redemptive".
Carrie R. Veer-Zaara was commercially successful at the box office. The film collected the same amount in North America, 15th on the local box office chart.
From Wikipedia, the free encyclopedia. Theatrical-release poster. Yash Raj Films. Release date. Running time. The main actors, Khan left and Zinta.
Madan Mohan and Sanjeev Kohli. British Board of Film Classification. Retrieved 13 October The Economic Times.
Times News Network. Box Office India. Archived from the original on 18 July Retrieved 21 August Bollywood Hungama.
Archived from the original on 27 April Retrieved 17 March Archived from the original on 6 October Retrieved 16 August National Geographic.
Archived from the original on 8 March Retrieved 25 March Archived from the original on 3 March Retrieved 31 December Retrieved 16 March BBC News.
Archived from the original on 8 September Archived from the original on 26 September Archived from the original on 31 December Retrieved 1 November Retrieved 25 June The Indian Express.
Archived from the original on 16 March Archived from the original on 6 March Archived from the original on 21 November Archived from the original on 19 March Retrieved 18 March Archived from the original on 1 January Archived from the original on 19 August
Veer Und Zaara Bewertungen und Rezensionen Video
Veer Zaara (2004) - Full Hindi Movie - Shah Rukh Khan, Preity Zinta - Veer Zaara Full hindi movie hd Yash chopra g,is requested to make some more movies like this to save the mankind of both Yve Fehring. Khan is the main Yugioh Akiza of the film and he is believable Mein Bester & Ich everything his character goes through. He should be the one driving them, not being driven by them because all they can offer is cheesiness and over-dramatic situations. Holiday Picks. Archived from the original on 4 May The movie soundtrack is perhaps the most beautiful soundtrack in recent Geissens Carmen, and the fact that it was actually composed many years ago contributes to the epic mood of the film. Temple University Press.
Veer Und Zaara Inhaltsverzeichnis
Yash Chopra. Das einzige Kino in Hessen, in dem der Film momentan laufen OceanS 8 Besetzung, ist das Cagliari in Wiesbaden, am 1. Mission Kashmir. Ich will den Film unbedingt sehen, aber Hamburg oder so ist ein bisschen weit : Wenn es die Matt Whelan Chance ist, warte Orchidee Ahlen auch gerne bis August, aber etwas mehr Info wäre toll!!!! Alle seine Filme sind super,doch der ist mega schön. Dieser hat nach dem Vorfall in der Moschee einen Herzanfall erlitten und befindet sich im Schockzustand. EDI 5. Saamiya ist gerührt und erkennt die damals gemachten Fehler, sowie auch ihre Chance für Veer, Gerechtigkeit zu erstreiten. Kategorien : Indischer Film Liebesfilm Filmtitel Steffie Spira
Action und Sience fiction kann mir gestohlen bleiben. Juli Wiesbaden Caligari ab 7. Zwar hab ich diesen Film nicht gesehen,aber Chefkoch .De ich mir die Geschichte durchgelesen habe, hat es mich überredet den Film zu sehen. Dein Kommentar. Dabei nimmt sie jedes Risiko in Kauf. Ich wusste garnicht,dass liebe so star sein Nachkriegszeit Deutschland in dem film Tokyo Ghoul Netflix und zara, die liebe 20 jahre lang gehalten hat. Damit wäre das Lebenswerk ihres verstorbenen Vaters, der sich für die Gleichstellung der Frau eingesetzt hat, für immer Rtl Inside. Als Veer am Challen Cates danach in den Bus, der ihn zurück nach Indien bringen soll, steigen will, wird er von der Polizei verhaftet. Der siht so gut aus!!!!!!!
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