Neue Wilde Unter dem Begriff der "Neuen Wilden" oder auch "Jungen Wilden" wird im Allgemeinen die deutsche neoexpressive Kunst der er Jahre. Die Werke der ehemaligen Neuen Wilden bilden in der Sammlung Essl einen Schwerpunkt. Sie sind die Basis für diese Schau, die den Einfluss von Vorläufern. Neue Wilde wurden Kölner und Berliner Maler wie Rainer Fetting, Jiri Dokoupil, Walter Dahn und Peter Bömmels genannt. Sie diktierten mit.
Neue Wilde Künstler/innen
Als Neue Wilde oder Neue Heftige werden Künstler bezeichnet, die in den frühen er Jahren mit einer subjektiven, unbekümmerten und lebensbejahenden. Als Neue Wilde oder Neue Heftige werden Künstler bezeichnet, die in den frühen er Jahren mit einer subjektiven, unbekümmerten und lebensbejahenden Malerei in Deutschland und Österreich an die Öffentlichkeit traten. Den Namen erhielten sie in. Neue Wilde Unter dem Begriff der "Neuen Wilden" oder auch "Jungen Wilden" wird im Allgemeinen die deutsche neoexpressive Kunst der er Jahre. Gleichzeitig wurden auch die Begriffe Neoexpressionismus, Heftige Malerei, Neue Heftige oder Wilde Malerei, in Österreich der Terminus Die Neuen Wilden,. Die „Neuen Wilden“ beziehen sich auf die italienische Transavantgarde, den französischen Fauvismus (Fauves = Wilde), das amerikanischen Pattern Paining. Die Werke der ehemaligen Neuen Wilden bilden in der Sammlung Essl einen Schwerpunkt. Sie sind die Basis für diese Schau, die den Einfluss von Vorläufern. Neue Wilde wurden Kölner und Berliner Maler wie Rainer Fetting, Jiri Dokoupil, Walter Dahn und Peter Bömmels genannt. Sie diktierten mit.
Neue Wilde wurden Kölner und Berliner Maler wie Rainer Fetting, Jiri Dokoupil, Walter Dahn und Peter Bömmels genannt. Sie diktierten mit. Unlike the term Heftige Malerei (heavy painting),which was also initially applied to the new movement—the term Neue Wilde did not refer so. Die Werke der ehemaligen Neuen Wilden bilden in der Sammlung Essl einen Schwerpunkt. Sie sind die Basis für diese Schau, die den Einfluss von Vorläufern. Lovingly Chris Gauthier one day his films will be shown in museums and art galleries. Skip to content The new Iggy album is interesting. To Lazer Team appreciate the album you got to listen to the original vinyl version of the Bowie mix fromthe latter-day reissues cannot compare. Get Smart Trailer film is a snapshot of South Africa and Sing Film Deutsch culture set in the last twenty years of Apartheid. Am interview with James at the time has him looking old Ausmalbilder Avengers his years and almost destitute, dirty, reminiscent of Vikings Torvi street junkie or homeless person, matted dreadlocks. Yet it all Tv Hessen a little too late and at the end of the film Army Wives left me empty. One evening sitting Pascal Aleardi the verge outside a Paula Kommt Staffel 7 house party a Neue Wilde of guys came up to me. The song is country and western and sung in Afrikaans and great it is too. This new subjectivity resulted in a wide diversity of styles, but an emphatically powerful brushstroke, Loki Serie mostly strong color palette, and a frequently cavalier relationship to art historical sources were common characteristics of the Neue Wilde.
It is a problem I used to experience as well so I identify. In the old days I preferred the early Sisters.
I did. In late James joins the Stooges. In Iggy meets David Bowie who was a big Stooges fan. In David signs Iggy to Mainman and brings him over to England.
Iggy was not impressed by the musos he met in England and soon he was joined by James. Despite being very different characters Iggy and James roomed together in London and this strengthened them as a song writing team.
Once James was in the fold the next step was to bring out the Ashton brothers Scott on drums and Ron on bass. Then they started writing and rehearsing.
Amongst other things the use of the drug heroin affected the music. Iggy wrote the lyrics in Kensington Gardens. The lyrics use the Vietnam War as a metaphor for the attitude and feelings of the band and its audience.
I have read that Iggy sang the song in a higher register than usual. Was the song pitch altered? Which brings me to Bowie who became the albums producer.
Bowie brought an Englishness and artiness to the mix so it became an English as well as American album. The Bowie mix was unusual and at first hard to understand but once you understood it, it became thee mix.
This is a controversial issue as there are many mixes but none as interesting as the Bowie one. The lead guitar and vocals are much higher in the mix than any of the other instruments giving the music a frenetic sound, and thus the prototype punk guitar style and tone was born and became the blueprint for punk guitarists to this day.
The bass is very audible and pumping but it is quite trebly and so in sync with the rhythm guitar that on some songs what you assume to be rhythm guitar is often bass.
Likewise the drums and bass are so tight that the drums appear almost inaudible. To top it off Bowie added the Time Cube effects unit in the mix the cocaine sound.
The second song up Gimme Danger was written in response to the recording company requesting a slow song and a great one this is too, an answer to the Rolling Stones Gimme Shelter.
The guitar is detuned half a step to Eb. I have read that the main influences on the album were early Led Zeppelin, the Rolling Stones and seeing T.
Rex at Wembley a few weeks earlier. The influence of Led Zep can be heard on some of the heavier songs on the album for example Penetration.
And so on to the cover. In my opinion the artwork to an album is almost as important as the music itself, it is a summary of the music, a visual representation of the sound.
And what a cover this is. An amazing front pic of Iggy with silver trousers and platinum hair, pancake makeup and vampire lipstick.
Iggy hangs from the mike stand a symbol of decadence and danger. One of the few people in the audience was Johnny Rotten who used the mike stand in the same way in the Sex Pistols 4 years later.
The story behind the makeup was that backstage a girl made up James Williamsons face and Iggy said he would like to have a bit of that as well and so the look was formed and immortalised.
To truly appreciate the album you got to listen to the original vinyl version of the Bowie mix from , the latter-day reissues cannot compare.
A multi genre multi-cultural collage of feedback, art punk garage with funk, disco, African, jazz, Latino, easy listening vs politico punk, electronic, a glam Krautrock cabaret.
Good time music. Side A is short songs. On side B the songs are longer a bit more experimental and darker. But even the last song which is more funereal is meant to be positive and uplifting as opposed to depressing.
The feedback, the synth noises and quiet barely audible keyboard melodies are all meant to be there. To be released end of March on limited edition vinyl copies and CD copies.
It is available now on download and Spotify. Gimme Danger was for me a must see. When I was a teenager in the early seventies there would be occasional snippets in the music press about this shambolic band from America with their crazed front man and chaotic nihilistic live shows.
The tales were fascinating and captured my imagination. Distance increased the interest. One could imagine the journalists clicking on their typewriters and faxing their stories to London and then three weeks later we would get the music papers in South Africa.
It all seemed very romantic to this young teenager. A postcard from the edge of society and I was intrigued.
The music in the film is of course superb. Bowie is barely mentioned and mostly in context with manager Tony de Fries who allegedly put the Stooges career on ice.
The music industry is not a nice business. The vintage live footage is stunning and and there are several scenes that I had not seen before.
It is great to see the clips in improved best available quality on a large screen at high volume. The footage is truly wild. I was fascinated by how fucked Iggys teeth were in the Cincinnati Festival footage.
This sort of clarity is just not noticeable on YouTube or third generation video tape. He looks feral filthy and sweaty, totally primal, untamed.
The story is mainly told in a sit down interview with Iggy. The dialogue is interesting and informative and Iggy is a captivating narrator but it is what lets the film down.
It is mainly told from one mans perspective and so it becomes his story. Great black and white pin stripe trousers.
Behind the beautiful portrait on the front cover of Raw Power is a nightmare with no fairy tale ending except for the man on the cover and it took a long time and much injury for him to eventually achieve success.
Yet it all seems a little too late and at the end of the film it left me empty. So this is what I waited all those years to see?
A lot of his audience these days are not even into the music just the spectacle and the coolness of what he stands for.
I sometimes wish he would don a shirt buy a smart suit and become the great crooner that is hidden inside of him. Let him be art and jazz and Sinatra.
I think he would dig that too but he is trapped in his myth and past. Like a lot of good art this story is fueled by anger in this case the hurt caused by 5 frat boys who laughed that their cars where bigger than the trailer that Iggy lived in with his parents.
Then one day in an act of bullying they shook the trailer whilst he was in it. He has never forgiven them and I empathize.
In , the Junge Wilde painting style arose in the German-speaking world in opposition to established avant garde , minimal art and conceptual art. The Junge Wilde painted their expressive paintings in bright, intense colors and with quick, broad brushstrokes very much influenced by Professor at the Academy of Art in Berlin, Karl Horst Hödicke b They were sometimes called the Neue Wilde de:Neue Wilde.
The term Junge Wilde began to be used by the media in the s with reference to a certain group of politicians who bucked party leadership to make their names.
Since then the term has also been applied to members of other parties. From Wikipedia, the free encyclopedia. Redirected from Neue Wilde.
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Yet it is often tongue-in-cheek and light-hearted mockery. The latter is a refreshing departure from the more stuffy art that characterised much of the s, and which dealt with equally serious topics.
In retrospect, the New Wild has turned out to be a mixed bag indeed. On the one hand you have Martin Kippenberger who fitted into the mold.
He dealt with fear sexulality and religion. Kippenberger who died in Vienna aged 44, refused to adopt a specific style and medium.
It resulted in an extremely varied oeuvre of sculpture, paper scraps, paintings, prints and other ephemera. At the other end of the spectrum we find Bernd Zimmer, whose production have consisted of many forest paintings.
For example, Heftige Malerei was the title of a show at the Haus am Waldsee in Berlin in , which introduced the Berlin Wilde to a broader audience for the first time.
That same year Christos M. Within a few months the Neue Wilde became a star cult; art dealers bought out their studios; the works found their way into renowned collections before they even had time to dry.
Furious critical voices did not fall on deaf ears, though; just as it does now, the movement polarized experts at the time.
Painting, however, was back in vogue. Only years later did some exhibitions allow for new encounters with the art of the Neue Wilde as a whole, but the issue of the quality of the works from those paint-crazy years has yet to be fully addressed.
April 30, Stefanie Gommel. Internships in publishing, theater, and journalism. Has worked for Hatje Cantz in advertising and marketing since Unsourced material may be challenged and removed.
Fraser; Dierk O. Hoffmann Pop culture Germany! Archived from the original on 25 January Retrieved 22 October Deutscher BundeswehrVerband.
Archived from the original on 17 December Retrieved 30 October The dialogue is interesting and informative and Iggy is a captivating narrator but it is what lets the film down.
It is mainly told from one mans perspective and so it becomes his story. Great black and white pin stripe trousers. Behind the beautiful portrait on the front cover of Raw Power is a nightmare with no fairy tale ending except for the man on the cover and it took a long time and much injury for him to eventually achieve success.
Yet it all seems a little too late and at the end of the film it left me empty. So this is what I waited all those years to see?
A lot of his audience these days are not even into the music just the spectacle and the coolness of what he stands for. I sometimes wish he would don a shirt buy a smart suit and become the great crooner that is hidden inside of him.
Let him be art and jazz and Sinatra. I think he would dig that too but he is trapped in his myth and past. Like a lot of good art this story is fueled by anger in this case the hurt caused by 5 frat boys who laughed that their cars where bigger than the trailer that Iggy lived in with his parents.
Then one day in an act of bullying they shook the trailer whilst he was in it. He has never forgiven them and I empathize. It is what drove him and continues to drive him.
The chilling moment for me is when Iggy talks about the Stooges sharing everything including ownership of the songs which is something he now seems to regret.
The life of a ex Stooge was not an easy one. The saddest story of all seemed to be that of Scott Asheton who spent his life in minimum wage menial dead end work and seems happily stoned in interviews.
He seems the lucky one the one that got away. He comes across well in the film intelligent cheerful straight talking and lucid and is absolutely stunning in the early live footage which I had not seen before.
One cool dude back in the day. So here is the plan. And if you are young and starting out take a tip from the Stooges example and find your own thing, go into the unknown and be original.
It is visual audio delight with a superb soundtrack presented in hi fidelity quality pumping loud from the cinema speakers.
For me the story is about guitarist songwriter Jonathan Handley and vocalist Dave Davies with a diverse cast of characters along the way.
Two very different personalities they share a dynamic when they work together. I knew Jonathan back in the day and I remember him as a lovely man genuinely into artists like Bowie, Iggy and Lou Reed prescribing but not injecting another girl another planet.
Dave Davies is a great singer in the vein of Jagger or the other Davies Ray. My wife says that he reminds her of David Johansen and she got it.
He has an animal magnetism charming in interview and nobody seems to know how he earns a living. It was great to see the early proto glam punk rock pics but the story really kicks in with ZX Dan one of the greatest South African songs ever, Starman with a country twang and Safrican accent.
It was a massive hit in South Africa and it could have done the same worldwide. The song was written with the aim of having a hit single and it became their defining moment.
It interests me that they describe their music as pop but that song was their only pop hit. I guess they scupper their chances by singing about strange quirky subjects like Cyanide Lake.
The other Jonathan, Richman springs sic to mind as the closest reference. And so they became a cottage industry writing and recording many songs with continually changing line ups and name changes and slowly refining and defining their sound and art, the comic art of the bands album covers and posters is very much part of the whole thing.
It is great to see the scenes of the old South Africa towns, and venues and country side, it is a lost time strange and quaint and it is interesting how anything alternative or artistic came out of such an environment yet somehow it seems to happen.
The film is probably the most comprehensive documentary of any single South African music artist or act and probably the best.
It is entertaining but it is also art. A lot of attention has been paid on the editing and the detail. Some of the interviews are presented in seemingly uncut form of realism reminiscent of Warhol or Jonas Mekas.
In the middle of the film some songs display a sixties garage psyche feel of English freakbeat particularly the Creation. That part blew me away as it is quite an obscure reference and they do it very well.
And whilst not the final song in the film but the song that seems like the end song Perlemoen is a strange one.
It is the song where Jonathan seems to finally fully give in to his South African-ness. The film is available on DVD as a double pack with a great compilation CD and superb cover art and sleeve notes.
It is a quality package. The album is a partnership between Michael Fleck and Patrick Atkinson. Michael brought in original song sketches and Pat developed the ideas in the studio over several weekends.
It is an interesting project covering many styles, a big blasting alternate rock album but also arty, funky and tender in places. A travelogue part fact and part fictional.
Taken direct from the original masters we now give you Snake Eyes presented in a beautiful high quality laminated card wallet sleeve. The cover features vivid studio portraits intended for the original nineties album.
Ingrid Jonker is an internationally recognized poet whose subject matter included the cause of the poor and lot of black South Africans during the apartheid era.
I am one of the artists on the album. This winter saw the release of the definitive Wild Youth double gram vinyl limited edition of The records are housed in a beautiful rustic cardboard outer sleeve with period artwork.
The lyrics are a socio political commentary about South Africa of the time. Listened in hindsight I feel it is as relevant worldwide in as it was in South Africa Skip to content The new Iggy album is interesting.
The Sisters of Mercy Roundhouse 2 September 7 Andrew Eldritch is an enigma, a man at war with the record companies since the nineties. The greatest punk album ever.
A year in our lives. Every song has its own story. The Radio Rats story directed by Michael Cross. Goodbye Durban hello London America Europe.
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